‘Cometh the hour, cometh the man’ There was a regular history exam question at my school that asked students to debate whether ‘the hour made the man or the man made the hour’. It usually related to a period of history that we had just finished studying. For example – did Britain’s survival in WW2 depend solely on Winston Churchill’s […]
Truth and storytelling, minds, hearts and history
There are those moments when something you read strikes you so forcibly that you know you must embrace it and consider it carefully. When this happens to me it’s usually for an important reason. It may throw a clear light on something that’s happening in my life or in life in general that I need to grasp intellectually. It may […]
Mpapa Gallery, westernised art and tribal heritage.
An interesting paper Gijsbert Witkamp has written an interesting paper on his blog Art in Zambia about Henry Tayali, and Fackson Kulya, two artists I knew through my work at Mpapa Gallery when Bert was away in Europe between 1979 and 1988. Bert describes Henry as an ‘academic’ artist and Fackson as a ‘folk artist’. This might describe the difference […]
Writing and winning are wonderful!
I am a prize-winner for the first time I am thrilled to be a runner-up in the Charroux Litfest competition for my short story Truth, Dare, Command. Thank you Charroux Litfest and thank you Charroux organisers – Kate Rose and Barbara Sage. I know you do an unpaid, time-consuming labour of love. The theme of the competition was Truth and […]
Beauty, culture, colonialism and the purpose of art
Can standards of beauty be imposed on artists? What is beauty and is it an essential part of art? Is there such a thing as a universal standard of beauty in art? I ask because the questions are relevant to discussions about the impact of colonialism on indigenous cultures. That’s an enormous subject and there won’t be any quick or […]