Discussion about art and beauty – and art and colonisation – is challenging. My past connection with Zambia and Mpapa Gallery, and my present connection with post-colonialism and my own art are about how I live my life. It has been said that Mpapa Gallery was colonial in its support for artists. Mpapa Gallery wasn’t and couldn’t be colonial for […]
Aesthetics, colonialisation of culture, and Mpapa Gallery
A time of discovery and learning Looking back at Mpapa Gallery we faced several important challenges which will interest Zambian artists today. The fact that the gallery was run by three practising African artists – me, Ruth Hartley, Cynthia Zukas, Patrick Mweemba, and started by Joan Pilcher, who had studied art at the Evelyn Hone College meant that we were […]
Inspiration, sharing, genius and intellectual property
Heroes and Scapegoats As you can probably tell I’m unimpressed by the idea of male genius in art and male heroes in political history, when its written by men. It’s a useful trick to focus on a key individual in an epoch when there’s an exam looming but it leaves women out and falsifies history. it also allows people to […]
Zambian Art 1964 -1994 – a lost history
Mpapa Gallery, Women and Art in Zambia In 1984 when I started working at Mpapa Gallery with Joan Pilcher, Cynthia Zukas and Patrick Mweemba, there were many women making art, but few were Zambian and none were black. Most women artists were the expatriate wives of businessmen, diplomats and aid agency officials. Colonial domination of Zambian culture before 1964 is […]
BLACK LIVES MATTER and Zambian art history
Black lives have always mattered – not just since the crisis of George Floyd’s murder. Everyone I worked with in Zambia had always felt the same about the fight against racism and it was fundamental to my own art and my work with Zambian artists. Black lives have mattered for centuries Mpapa Gallery and the best art possible In 1984 […]