What made the Europeans:- the French, the British and the Germans and the rest so successful at building their empires? What made them so cruel in the execution of their power? Was it that thin epidermal layer that covered their bodies yet provided minimal pigmentation protection? Did their skin colouration make them evil? Did it make them successful? Technology and […]
Lines in the sand erased in the sea of history
‘Cometh the hour, cometh the man’ There was a regular history exam question at my school that asked students to debate whether ‘the hour made the man or the man made the hour’. It usually related to a period of history that we had just finished studying. For example – did Britain’s survival in WW2 depend solely on Winston Churchill’s […]
Beauty, culture, colonialism and the purpose of art
Can standards of beauty be imposed on artists? What is beauty and is it an essential part of art? Is there such a thing as a universal standard of beauty in art? I ask because the questions are relevant to discussions about the impact of colonialism on indigenous cultures. That’s an enormous subject and there won’t be any quick or […]
Art, beauty, colonialism and Mpapa Gallery
Discussion about art and beauty – and art and colonisation – is challenging. My past connection with Zambia and Mpapa Gallery, and my present connection with post-colonialism and my own art are about how I live my life. It has been said that Mpapa Gallery was colonial in its support for artists. Mpapa Gallery wasn’t and couldn’t be colonial for […]
Aesthetics, colonialisation of culture, and Mpapa Gallery
A time of discovery and learning Looking back at Mpapa Gallery we faced several important challenges which will interest Zambian artists today. The fact that the gallery was run by three practising African artists – me, Ruth Hartley, Cynthia Zukas, Patrick Mweemba, and started by Joan Pilcher, who had studied art at the Evelyn Hone College meant that we were […]