The fateful story of becoming the author of books

Ruth Hartley Storytelling, Hamera and Hartley, Writing Process, Zambia4 Comments

No simple way to become a writer It’s never simply a question of sitting down to write a story. First, you need money, food, a room of your own and time alone.  If any writers have all those things without also having paid employment, I haven’t met them yet. You also need to learn your craft, to practise it and […]

Blame it on the man in the brandy barrel – Admiral Nelson

Ruth HartleyApartheid, Colonialism, Family, Hamera and Hartley, Identity, Migration, Politics, Power, Racism, South Africa, The Shaping of Water, The Tin Heart Gold Mine, When I Was Bad, When We Were Wicked11 Comments

Art and storytelling 200 years later by a distant descendant. Born into the British Empire during the Second World War in a colonial country that no longer exists, I’ve been flung around in a turbulent vortex of political and personal change. My art and my writing are the ways I hang on to the world spinning around me. I have […]

Beauty, culture, colonialism and the purpose of art

Ruth HartleyAesthetics, Art Process, Colonialism, Creativity, Festival, Hamera and Hartley, Installations, m’Other Art, Religion, Visual Arts3 Comments

Can standards of beauty be imposed on artists? What is beauty and is it an essential part of art? Is there such a thing as a universal standard of beauty in art? I ask because the questions are relevant to discussions about the impact of colonialism on indigenous cultures. That’s an enormous subject and there won’t be any quick or […]