Beyond reconciliation – a virtual walk through different faiths At the start of this week, I was invited to participate in this online event by Nic Paton, grandson of Alan Paton, author of Cry The Beloved Country. Thank you, Nic! The event was organised by the District Six Reconciliation Day Interfaith Walk. It was a healing and uplifting hour and […]
Displaced people, refugees, immigrants, colonisation and war
“Those who cannot remember the past are condemned to repeat it.” (Quote from George Santayana but many other people re-quote or dispute this saying) The Nuremberg Trial and the Nuremberg Laws I write this post 75 years after the start of the Nuremberg Trials of Nazi war crimes, antisemitism and genocide. It’s a day that grows more significant every year […]
Mpapa Gallery, westernised art and tribal heritage.
An interesting paper Gijsbert Witkamp has written an interesting paper on his blog Art in Zambia about Henry Tayali, and Fackson Kulya, two artists I knew through my work at Mpapa Gallery when Bert was away in Europe between 1979 and 1988. Bert describes Henry as an ‘academic’ artist and Fackson as a ‘folk artist’. This might describe the difference […]
Art, beauty, colonialism and Mpapa Gallery
Discussion about art and beauty – and art and colonisation – is challenging. My past connection with Zambia and Mpapa Gallery, and my present connection with post-colonialism and my own art are about how I live my life. It has been said that Mpapa Gallery was colonial in its support for artists. Mpapa Gallery wasn’t and couldn’t be colonial for […]
Aesthetics, colonialisation of culture, and Mpapa Gallery
A time of discovery and learning Looking back at Mpapa Gallery we faced several important challenges which will interest Zambian artists today. The fact that the gallery was run by three practising African artists – me, Ruth Hartley, Cynthia Zukas, Patrick Mweemba, and started by Joan Pilcher, who had studied art at the Evelyn Hone College meant that we were […]