Blame it on the man in the brandy barrel – Admiral Nelson

Ruth HartleyApartheid, Colonialism, Family, Hamera and Hartley, Identity, Migration, Politics, Power, Racism, South Africa, The Shaping of Water, The Tin Heart Gold Mine, When I Was Bad, When We Were Wicked11 Comments

Art and storytelling 200 years later by a distant descendant. Born into the British Empire during the Second World War in a colonial country that no longer exists, I’ve been flung around in a turbulent vortex of political and personal change. My art and my writing are the ways I hang on to the world spinning around me. I have […]

Cancelling people, erasing history, burning libraries, & killing souls

Ruth Hartley Storytelling, Colonialism, Family, Feminism, Human rights, Installations, Racism, Slavery2 Comments

Burying a living soul and the death I was responsible for When Mike walked back into my flat that day back in 1968, he was dead. His face was rigid. His eyes stared blindly. “My father buried me.” Mike spoke as if every word was a stone placed on his own grave. “Dad held a funeral service in the synagogue […]

Beauty, culture, colonialism and the purpose of art

Ruth HartleyAesthetics, Art Process, Colonialism, Creativity, Festival, Hamera and Hartley, Installations, m’Other Art, Religion, Visual Arts3 Comments

Can standards of beauty be imposed on artists? What is beauty and is it an essential part of art? Is there such a thing as a universal standard of beauty in art? I ask because the questions are relevant to discussions about the impact of colonialism on indigenous cultures. That’s an enormous subject and there won’t be any quick or […]

Inspiration, sharing, genius and intellectual property

Ruth HartleyApartheid, Creativity, Human rights, Installations, Mpapa Gallery, Slavery, Visual Arts, ZambiaLeave a Comment

Heroes and Scapegoats As you can probably tell I’m unimpressed by the idea of male genius in art and male heroes in political history, when its written by men. It’s a useful trick to focus on a key individual in an epoch when there’s an exam looming but it leaves women out and falsifies history. it also allows people to […]

Cuba, art, installations, Zambia, Africa, and the 1989 Havana Biennial

Ruth HartleyCreativity, Imagination, Installations, Mpapa Gallery, Politics, Power, Printmaking, Racism, Slavery, Southern Africa, Visual Arts, War, ZambiaLeave a Comment

Che Guevara and that famous poster Old revolutionaries will remember the importance of Cuban screen prints as propaganda tools for the fight for freedom all around the world. In 1968, my communist friend, Bill, insisted that we visit the Cuban Embassy in London to see this particular brilliant and sophisticated form of art and agitprop. We all remember the poster […]