The Banshees of Inisherin

Ruth Hartley Storytelling, Art Process, Conflict, Film, Music, Politics, Uncategorized1 Comment

Film poster shows colm on the left and Padraic on the right as silhouettes with colm's dog between them. They are on the beach staring across the sea at the Irish mainland.

The Banshees of Inisherin was on at the local cinema the night after the Golden Globe event on TV. We decided to see it because Colin Farrell had won an award for his role in it. The film is set against the background noise of the guns of the Irish civil war. Innis Erin – Inisherin means the island of Ireland (Erin) and the lives of the few people on this tiny fabulous island who are apparently dull and boring, are as violent, passionate and dangerous as that of the warring mainland. I didn’t know what it was about but I hoped it would be good entertainment. In its favour, it was also a ‘Version originale’ rather than dubbed. (C’est à dire dans la langue dans laquelle il a été tourné.) That turned out to be just as well because Irish -spoken English is poorly translated into rather dubious French subtitles.It is a brilliant movie.

Why such a mix of music?

There is beautiful Bulgarian music over the opening titles “Polegnala e Todara” 1975 – why I asked, did they choose to use that when there is plenty of miserable Irish music available? The fact is it suits the film because the film is not about reality at all. It is about a truth or perhaps several truths and fairytale truths are about universal truths and universal dreads. For example, it is a truth that as a writer I depend on you as a reader. Please, please subscribe to this blog, buy, read and review my books

Grimms Brother’s Fairy Tales

‘Oh, God!’ I snorted as the film opened over abandoned pastures above high sea cliffs. ‘This is Father Ted’s Craggy island! Why flag up that brilliantly comic TV series at the start of the film? Will this film also be a joke? Was it to be the Irish madhouse known to Father Ted and Dougal? The story is set in 1923 but the Irish scenes looked charming and the houses pretty. There is even the end of a rainbow! The first woman who appeared was beautiful with long red hair. I know enough history to know that Irish poverty at that time had none of those things. Poverty in South Africa in the 60s was also ugly. The film, however, did have very funny comic moments of which the characters are oblivious.

An old woman with a skull-like face smoking a pipe and with a shawl like that worn by a banshee
Sheila Flitton as Mrs McCormick the old woman described as the ‘ghoul’ who wears a shawl like a banshee

I sank into my seat in disappointed misery expecting a romantic version of The Quiet Man with John Wayne but I was soon to realise that this was fairytale land even without the screaming of visible Banshees. Colm (Brendan Gleeson) tells Pàdraic (Colin Farrell) that he called his song The Banshees of Inisherin because he likes the sound of the ‘she’s together. The cries of  Banshees warn of imminent deaths. Gleeson by the way composed and performed the diegetic Irish music for the film Diegetic, I learn, means that the music is not background atmosphere but part of the actor’s role.

A fable about love and friendship

Padraic and his pet ass Jenny walk across an empty Irish landscape

Most of the characters appeared to be deliberate stereotypes – the gossipy, nosey Post Office woman, the poisonous brutal policeman, the weird and ghoulish old lady who likes to terrify everyone, the tongue-tied boring men in the pub, the sinning priest – but of course they each have a place in the puzzle that all fables are. The acting of the main characters is powerful and unforgettable and real and believable. Colm voices for me the doubts and fears I have about my death that are part of my reasons for writing stories. Pàdriac voices my need for present friendship and intimacy. Siobhan,  Pàdraic’s sister (Kerry Condon ) voices my need to escape the small-minded and petty spites of daily life while Dominic (Barry Keoghan) speaks of my desire to be loved, despite being the idiot that I am.

Real life is a fable we live inside

Colm is a depressive and he decides to cut his friendship with Pàdraic at a terrible cost to them both and to his ability to make the music he loves. I once cared for and knew a man like Colm – fundamentally depressed but enormously gifted who also symbolically, cut off his nose to spite his face and in doing so destroyed people around him who loved him. First, he had to make himself vulnerable like Colm by removing the protection and love of a friend like Pàdriac who finally cannot forgive his undeserved hurt. ‘The  Irish civil war has ended but not the war in our hearts!’ says Pàdraic. Like Harry and William, both hurt and damaged – at least they don’t have armies except among their fandoms. Is there never an end – never forgiveness – never an end to our self-inflicted damage? Only kindness and generosity of spirit will help us.

One Comment on “The Banshees of Inisherin”

  1. Claudia Naydler

    I found The Banshees of Inisherin deeply troubling it’s sadness and “desperation” – a word that was repeated several times by the priest to Colm – stayed with me for days. I feel it is both about self-harm and how very easily compassion and understanding can be undermined by poor communication. How very important are words. How very slim our vocabulary. How very unknowing are we about how we are perceived. How easily we are damaged, perpetrate damage. How little we make a true effort to understand the language of others and take them for granted. Colm could only really express himself through music; Padraic through his constancy in friendship to his animals, to Colm; only Dominic, the ‘fool’, the jester, could speak his truth from the heart .

    Colm, Padraic and Dominic all died to themselves, Dominic through suicide, Colm through his self-inflicted inability to continue to make the music he loves and Padraic’s wilful transformation from the ‘nice guy’ that he is to ‘hard man’. Padraic’s sister chose to cut herself off from her roots first through books and then more literally by leaving.

    Was the film also telling us that Man seems incapable of reflecting beauty and grace of place; that our precious planet, the very fountainhead of natural beauty is unable to teach us the ways of peace, tranquility, satisfaction, fulfilment?

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